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      <image:title>Welcome</image:title>
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    <loc>https://www.robertjohnsedky.com/blog-1</loc>
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    <loc>https://www.robertjohnsedky.com/humannature</loc>
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    <lastmod>2018-06-05</lastmod>
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      <image:title>Human/Nature</image:title>
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    <lastmod>2018-08-08</lastmod>
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      <image:title>MEDIA - Beast Premier</image:title>
      <image:caption>Director Christopher Sferrazza Festival Flickerfest Director Bronwyn Kidd. PC: Enzo Amato</image:caption>
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      <image:title>MEDIA - Rise Film Premier</image:title>
      <image:caption>With Sunset Hills co-writer Lyricist John Giannoras in Melbourne, Victoria.</image:caption>
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      <image:title>MEDIA - Elton John Tour 2014</image:title>
      <image:caption>Personal highlight meeting Sir Elton John while touring the nation with Eran James.</image:caption>
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      <image:title>MEDIA - Elton John Tour</image:title>
      <image:caption>Eran James and Dean Matters National support tour with Sir Elton John.</image:caption>
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      <image:title>MEDIA - The Celtic Tenors sessions.</image:title>
      <image:caption>With iconic Producer/Arranger Charles Fisher.</image:caption>
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      <image:title>MEDIA - Foundation 80 session guitar work</image:title>
      <image:caption>With Pianist Producer Phil Turcio</image:caption>
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    <loc>https://www.robertjohnsedky.com/blog</loc>
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    <lastmod>2016-03-07</lastmod>
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    <loc>https://www.robertjohnsedky.com/blog/2016/3/4/heritage</loc>
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    <lastmod>2016-03-07</lastmod>
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    <loc>https://www.robertjohnsedky.com/blog/2016/3/4/passant</loc>
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    <lastmod>2016-03-07</lastmod>
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    <loc>https://www.robertjohnsedky.com/blog/2016/3/7/gratitude</loc>
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    <lastmod>2016-03-07</lastmod>
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      <image:title>Blog - Gratitude</image:title>
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      <image:title>Blog - Gratitude</image:title>
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    <loc>https://www.robertjohnsedky.com/blog/2016/3/7/interest</loc>
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    <lastmod>2016-03-07</lastmod>
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      <image:title>Blog - Interest</image:title>
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    <loc>https://www.robertjohnsedky.com/blog/2016/3/4/oeuvre</loc>
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    <lastmod>2016-03-07</lastmod>
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    <loc>https://www.robertjohnsedky.com/band</loc>
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    <lastmod>2018-06-04</lastmod>
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    <loc>https://www.robertjohnsedky.com/bio</loc>
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      <image:title>About</image:title>
      <image:caption>What age did you get interested in Music? When I was 12 years of age I got a scholarship as a choir boy at St Patricks Cathedral College in Melbourne, Australia. Singing in the great cathedral halls and discovering the works of 18th Century composers such as Bach and Handel had a profound and lasting influence on me.   What is your primary instrument? I play guitar, piano and sing. Over the last decade, I refined my craft as a session musician and arranger for international artists and record producers including Charles Fisher (Savage Garden, 1927, Tor+) Jay Newland (Nora Jones, Eran James). I have performed on my film scores; this process has helped me uncover my own voice   When did you get your first professional Film Scoring job? Eran James (Universal) and I were playing warm up gigs in lead up to a National tour supporting Sir Elton John. After the show, I noticed a guy who smiled at me and introduced himself, we talked for a while and discovered we both love cinema. I told him I had just completed a few short film scores. The next thing blew my mind, he handed me his card and said I am a producer looking to hire a composer for a feature film. That film was called The Nothing Men (2010).   What inspired you to want to work in the Film business? I always curious about the craft of film making. How films were created, the story telling, imagery and music. Going to the cinema and watching films, was a great form of education and escapism during my youth. I remember watching Spielberg’s Close Encounters (1977) and I was completely overwhelmed by it sheer beauty and expressive power. Hearing John Williams’ score for the first time, inspired me to want work in the film business.</image:caption>
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      <image:title>About</image:title>
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  <url>
    <loc>https://www.robertjohnsedky.com/company</loc>
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    <lastmod>2018-04-12</lastmod>
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    <loc>https://www.robertjohnsedky.com/contact</loc>
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    <lastmod>2018-08-03</lastmod>
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      <image:title>Contact</image:title>
      <image:caption>Jeanne String sessions with the Solstice Quartet</image:caption>
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  <url>
    <loc>https://www.robertjohnsedky.com/new-page-1</loc>
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    <lastmod>2020-08-03</lastmod>
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      <image:title>Testimonials</image:title>
      <image:caption>Big Sky Land (2018) Dir Claire Marsh Robert J. Sedky is a master of his craft, able to embrace the emotional world of a film quickly and succinctly. He is an intuitive and generous collaborator, who brings an expansive skillset and an enthusiastic approach to every piece. Whether he is creating works of bold playfulness, or subtle refrain, his music never fails to enhance and enrich a director’s vision. He is a joy to work with; I cannot recommend him highly enough.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac7fed19772aea7365e4955/1533283842997-DLHVD41X9GKSFRE21QSR/TNM+Stills.jpg</image:loc>
      <image:title>Testimonials</image:title>
      <image:caption>The Nothing Men (2010) Dir Mark Fitzpatrick Robert John Sedky's sensitive, sparse and multi-coloured score, perfectly fitting and enhancing the film's sustained, edgy mood - right up until the apocalyptic climax, which will resonate for a long time. Cinefile - Andrew L Urban</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac7fed19772aea7365e4955/1528356283832-G7FMLP17D8W4Q2Q9OLQD/10+Grand+still_o.jpg</image:loc>
      <image:title>Testimonials</image:title>
      <image:caption>10 Grand (2017) Dir Russell Leadbeater I worked with Robert Sedky when he composed the score for my 2017 short film "10 grand". I found Robert to be friendly, approachable and incredibly skilled. The final score for the film was better than I had hoped and I wouldn't hesitate to recommend him to anyone looking for a composer. The entire process was so pain free and collaborative, it was the high point of making the film for me. I would work with Robert again in a heartbeat, he's a great guy and an asset to any production.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac7fed19772aea7365e4955/1533284165487-IF9FNCJWQOJ8C7BMABII/Beast+still.jpg</image:loc>
      <image:title>Testimonials</image:title>
      <image:caption>Beast (2017) Dir Christopher Sferrazza My experience working with Robert has been nothing short of extraordinary. Working on my first film, I was unsure of what I actually wanted whilst shooting. I had conceptualised the type of music, but had trouble expressing what I wanted. Robert not only composed the music but was my Shepherd in guiding me through the creative process. Not only satisfying the needs of the film, but also pushing the boundaries of both the music and himself, working outside his comfort zones, he helped me discover more of what the film needed.</image:caption>
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    <loc>https://www.robertjohnsedky.com/about</loc>
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    <lastmod>2019-09-24</lastmod>
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    <lastmod>2020-08-03</lastmod>
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    <loc>https://www.robertjohnsedky.com/songs-arrangements</loc>
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    <lastmod>2020-08-03</lastmod>
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    <lastmod>2024-05-11</lastmod>
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    <lastmod>2020-08-03</lastmod>
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      <image:title>Contact (Copy)</image:title>
      <image:caption>Jeanne String sessions with the Solstice Quartet</image:caption>
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  <url>
    <loc>https://www.robertjohnsedky.com/testimonials</loc>
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    <lastmod>2020-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac7fed19772aea7365e4955/1533284165487-IF9FNCJWQOJ8C7BMABII/Beast+still.jpg</image:loc>
      <image:title>Testimonials (Copy)</image:title>
      <image:caption>Beast (2017) Dir Christopher Sferrazza My experience working with Robert has been nothing short of extraordinary. Working on my first film, I was unsure of what I actually wanted whilst shooting. I had conceptualised the type of music, but had trouble expressing what I wanted. Robert not only composed the music but was my Shepherd in guiding me through the creative process. Not only satisfying the needs of the film, but also pushing the boundaries of both the music and himself, working outside his comfort zones, he helped me discover more of what the film needed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac7fed19772aea7365e4955/1533284214284-9QRK20GZ5CSRG30FRHHH/BSL+still+3.jpg</image:loc>
      <image:title>Testimonials (Copy)</image:title>
      <image:caption>Big Sky Land (2018) Dir Claire Marsh Robert J. Sedky is a master of his craft, able to embrace the emotional world of a film quickly and succinctly. He is an intuitive and generous collaborator, who brings an expansive skillset and an enthusiastic approach to every piece. Whether he is creating works of bold playfulness, or subtle refrain, his music never fails to enhance and enrich a director’s vision. He is a joy to work with; I cannot recommend him highly enough.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac7fed19772aea7365e4955/1528356283832-G7FMLP17D8W4Q2Q9OLQD/10+Grand+still_o.jpg</image:loc>
      <image:title>Testimonials (Copy)</image:title>
      <image:caption>10 Grand (2017) Dir Russell Leadbeater I worked with Robert Sedky when he composed the score for my 2017 short film "10 grand". I found Robert to be friendly, approachable and incredibly skilled. The final score for the film was better than I had hoped and I wouldn't hesitate to recommend him to anyone looking for a composer. The entire process was so pain free and collaborative, it was the high point of making the film for me. I would work with Robert again in a heartbeat, he's a great guy and an asset to any production.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Testimonials (Copy)</image:title>
      <image:caption>The Nothing Men (2010) Dir Mark Fitzpatrick Robert John Sedky's sensitive, sparse and multi-coloured score, perfectly fitting and enhancing the film's sustained, edgy mood - right up until the apocalyptic climax, which will resonate for a long time. Cinefile - Andrew L Urban</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertjohnsedky.com/home</loc>
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    <lastmod>2022-10-19</lastmod>
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